screening
FILM
Dah
Ten
,
,
91’

“For decades, classical film theory pondered on the appropriate metaphor to explain the screen: a window or a frame? Was the screen a window on the world, therefore reality captured, or, a frame, reality constructed, a painting and its frame? In some ways Kiarostami is the finest dialectician of these two metaphors.”

Rolando Caputo1

Fri 2 Feb 2018, 21:15
CINEMATEK, Brussels
PART OF Abbas Kiarostami Retrospective
FILM
Dah
Ten
,
,
91’

“For decades, classical film theory pondered on the appropriate metaphor to explain the screen: a window or a frame? Was the screen a window on the world, therefore reality captured, or, a frame, reality constructed, a painting and its frame? In some ways Kiarostami is the finest dialectician of these two metaphors.”

Rolando Caputo1