Herman Asselberghs, Emiliano Battista, 2017
CORRESPONDENCE
13.09.2017
EN
Still, upon sauntering through the large and wide-ranging selection of pictures large and small, framed and unframed, hung high and low, or spread out on tables, I started to perceive Wolfgang Tillman’s show, 2017, as equally marking this moment in time, when high resolution camera phones have become completely ubiquitous.
