« J’aurai tant voulu être aimé qu’il me semble que j’aime. »
“Dimanche was supposed to be a didactic film, intended to evoke the problem of leisure. Bernhard diverts the order and outwits the trap of the ‘thematic’ film.
“When I think about it, Le mépris, seems to me, beyond its psychological study of a woman who despises her husband, the story of castaways of the Western world, survivors of the shipwreck of modernity who, like the heroes of Verne and Stevenson, one day reach a mysterious deserted island