Films byTexts by UvA Vertalers
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Koen Brams 2020
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Stylistically, Cornelis’ approach [in Park Abbey Heverlee] is somewhat similar to the method used by Alain Resnais in L’année dernière à Marienbad (1961). Cornelis himself pointed out a connection to Alexandre Astruc’s so-called Caméra-Stylo. “Like Astruc, I seek ways to build up to something; I seek rhythms,” explains Cornelis.