Maidan

Herman Asselberghs, Emiliano Battista, 2015
CORRESPONDENCE
18.05.2015
EN

So this film about a charged political moment remains strangely, and deliberately, disconnected from the politics of that moment. What interests Loznitsa isn’t the politics of the protests, or their political ramifications; what he focuses on and brings to the screen is the dramatic arc of protests as such.