Niewinni czarodzieje

EN

“[…] Innocent Sorcerers can be compared to the films of Eric Rohmer, where men and women spend a long time talking, often processing their lack of commitment to the opposite sex. In the case of Rohmer’s character[s], this has often to do with previous romantic disappointment. In the case of Wajda’s protagonists, it seems more to do with their desire to prolong one’s adolescence.”1
 

• 1

  Ewa Mazierska, “From a Lady to a Lost ‘Prole’: Girls in the City in Polish Cinema of the 1960s and Early 1970s,” Film, Fashion & Consumption 7, no. 2 (2018).