French writer, essayist and critic Philippe Sollers passed away last week on May 6 at the age of 86.

From July 9 to 15, Cinea invites you back to Antwerp for their yearly Zomerfilmcollege.

As a response to Jean-Luc Godard’s statement “We don’t know how to film sexual relations”, Nicole Brenez and Luc Vialle have concocted L’image des plaisirs, a programme of 216 brilliant and radical films, love poems, visual caresses or scopic impulses. The first part, subtitled Sexpérimentaux, takes place from 11 to 28 May in the Cinémathèque française.

Four times a year, the Deutsche Kinemathek presents a program of their films, which you can watch for free for three months. Until 14 July they present Female Perspectives, a program with nine feature and documentary films portraying women in front of and behind the camera.

On Friday 28 April MOUV’, the travelling cinema of Forest in Brussels, brings together film professionals for two roundtable discussions to exchange views on new forms of cinema and the role of (neighbourhood) cinema. 

In samenwerking met Een Hart Voor Vluchtelingen toont S.M.A.K. de film Sometimes one hour, sometimes three hours van KASK-student Maaike Jaspers. Van 22 april tot 14 mei is de film te zien in de Barco zaal van het S.M.A.K. te Gent.

Arsenal – Institute for Film and Video Art – in Berlin is hosting a Kira Muratova retrospective until 23 april.

Recently Belgian streamingplatform Avila released a new collection dedicated to the short experimental work of Belgian film pioneer Charles Dekeukeleire.

At the invitation of CINEMATEK and as prelude to C0N10UR, an eight-week exhibition in the city of Mechelen scheduled for next autumn and curated by Auguste Orts, some of the artists participating in the biennial event will present film works: Elephy, Mieriën Coppens & Elie Maisin, Annik Leroy, Rosine Mbakam and Subversive Film.

From April 20 to 23 Het Bos in Antwerp hosts the exhibition Reel Real Double Time by visual artist Ans Mertens.