Rastko Novaković

The film is not ready in my head before we shoot it. The sculpture in time we produce is evolving during a passage of work. That’s why I like the actual filming; your mind has to be 100 percent present. Yes, I know what’s coming next because I don’t film tableaus that have no connection to the neighbouring images. I’m filming and editing a network in which one image leads to another, in which an image remembers the one before and anticipates the one following. It’s a little bit like playing chess.