In 2010, with the full-length film X+, Marylène Negro takes up a new dimension of human experience: the collectivity. “A Picture of Us”. What are the aggregating forces that bring forth this drive – brusque or slow, woven from facts, simplifications and resonances that we call, always approximately, collective history? Unendlessly, the cinema records silhouettes, groups, crowds, masses – fleeting passers-by of a period they are going through, tiny extras of a zeitgeist that carries them along.