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In The Journey (1987), Peter Watkins alternates between a number of these effects, but for him the black frame is primarily the building block of a space of learning he is offering – sometimes this space is didactic and cerebral, sometimes more meditative and empathetic. 

The Journey
Peter Watkins, 1987, 873’

“The 14½ hours of The Journey are organized into an immense filmic weave that includes candid discussions with ‘ordinary people’ from many countries; community dramatizations; a variety of forms of deconstructive analysis of conventional media practices; presentations of art works by oth