screening
FILM
The Third Part of the Third Measure
,
,
50’

The Third Part of the Third Measure (2017), an audiovisual composition commissioned by the Institute of Contemporary Art, Philadelphia and Sharjah Biennial 13, creates an encounter with the militant minimalism of avant-garde composer, pianist, and vocalist Julius Eastman. The Third Part of the Third Measure focuses on what The Otolith Group describe as “an experience of watching in the key of listening,” invoking political feelings of defiance and the collective practice of movement-building that participates in the global struggles against neoreactionary authoritarianism. The Third Part of the Third Measure invites viewers to attend to exemplary ecstatic aesthetics of black radicalism that Eastman himself once described as “full of honor, integrity, and boundless courage.”

The Otolith Group is an award-winning collaboration whose practice spans the moving image, audio, performance, installation, and research. Founded in 2002 by the artists and theorists Anjalika Sagar and Kodwo Eshun, the group engages with the cultural and political legacies and potentialities of non-aligned movements, new media, Black Study, Afrofuturism, and Indofuturism while thinking speculatively with science fictions of the present. Their methodologies incorporate post-lens-based essayistic aesthetics that explore the temporal anomalies, anthropic inversions, and synthetic alienation of the posthuman, the inhuman, the non-human, and the anti-human. Expanding on the work of The Otolith Group is the public platform The Otolith Collective, whose work spans programming, exhibition-making, artists’ writing, workshops, publication, and teaching aimed at developing close readings of image and sound in contemporary society. Approaching curation as an artistic practice of building intergenerational and cross-cultural platforms, the collective has been influential in critically engaging the works of Chris Marker, Harun Farocki, Anand Patwardhan, Etel Adnan, Black Audio Film Collective, Sue Clayton, Mani Kaul, Peter Watkins, and Chimurenga in the UK, US, Europe, and Lebanon.

e-Flux

 

 

Wed 11 Dec 2019, 20:00
Cinema ZED, Leuven
PART OF Courtisane

In collaboration with Courtisane, de Onderzoeksgroep Algemene Literatuurwetenschap en Culturele Studies, de Onderzoeksgroep Kunstwetenschappen and Lieven Gevaert Centre & het Hoger Instituut voor Wijsbegeerte (KU Leuven).

FILM
The Third Part of the Third Measure
,
,
50’

The Third Part of the Third Measure (2017), an audiovisual composition commissioned by the Institute of Contemporary Art, Philadelphia and Sharjah Biennial 13, creates an encounter with the militant minimalism of avant-garde composer, pianist, and vocalist Julius Eastman. The Third Part of the Third Measure focuses on what The Otolith Group describe as “an experience of watching in the key of listening,” invoking political feelings of defiance and the collective practice of movement-building that participates in the global struggles against neoreactionary authoritarianism. The Third Part of the Third Measure invites viewers to attend to exemplary ecstatic aesthetics of black radicalism that Eastman himself once described as “full of honor, integrity, and boundless courage.”

The Otolith Group is an award-winning collaboration whose practice spans the moving image, audio, performance, installation, and research. Founded in 2002 by the artists and theorists Anjalika Sagar and Kodwo Eshun, the group engages with the cultural and political legacies and potentialities of non-aligned movements, new media, Black Study, Afrofuturism, and Indofuturism while thinking speculatively with science fictions of the present. Their methodologies incorporate post-lens-based essayistic aesthetics that explore the temporal anomalies, anthropic inversions, and synthetic alienation of the posthuman, the inhuman, the non-human, and the anti-human. Expanding on the work of The Otolith Group is the public platform The Otolith Collective, whose work spans programming, exhibition-making, artists’ writing, workshops, publication, and teaching aimed at developing close readings of image and sound in contemporary society. Approaching curation as an artistic practice of building intergenerational and cross-cultural platforms, the collective has been influential in critically engaging the works of Chris Marker, Harun Farocki, Anand Patwardhan, Etel Adnan, Black Audio Film Collective, Sue Clayton, Mani Kaul, Peter Watkins, and Chimurenga in the UK, US, Europe, and Lebanon.

e-Flux