Films byTexts by Milestones: Bilder der Welt
Article NL EN
21.04.2021

A year later, when the Germans had lost the war and the concentration camps were liberated, the Allies photographed and filmed the camps, the survivors, and the traces that pointed to the millions murdered. It was above all the images of piles of shoes, glasses, false teeth, the mountains of shorn hair that have made such a profound impression. Perhaps we need images, so that something that is hardly imaginable can register: photographic images as the impressions of the actual at a distance.

Article NL EN
21.04.2021

Een jaar later, toen de Duitsers de oorlog hadden verloren en de concentratiekampen waren bevrijd, fotografeerden en filmden de geallieerden de complexen, de overlevenden en de sporen die wezen op miljoenen vermoorde mensen. Vooral de beelden van stapels schoenen, brillen en kunstgebitten en de bergen afgeschoren haar maakten een diepe indruk. Misschien moeten er eerst beelden zijn vooraleer iets wat nauwelijks voorstelbaar is indruk maakt, fotografische beelden, afdrukken van de werkelijkheid op afstand.

Conversation EN
21.04.2021

Conversely, I try to find my words on the editing table. I have both my typewriter and my editing table in one room. It is connected to this question of writing and filmmaking, because it is also very evident you cannot make films the same way you can write a text. For the text you need to go to the library, but 80% or so of them are created in the room, or if not created, then at least the final version is made indoors at your desk. That is also the last stage of the filmmaking, the aspect where writing and filmmaking come together. People ask me, why don’t you write anymore, and I realise it is because I have succeeded in making a form of writing out of my filmmaking.