Films byTexts by Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles
Chantal Akerman, 1975, 201’

Sam Adams: That’s very much the feeling of watching Jeanne Dielman, where the repetitive ritual of her daily chores forges a connection with the viewer that’s practically physical, to the extent that you feel a jolt when she drops the shoe that she’s shining, or lets