For four years Eric Baudelaire regularly met with students from the film group at Dora Maar middle school in Saint-Denis. Time for them to grow together, time to find the form of a film in which they would be the true subjects: its characters, its authors and its promise.
After having disappeared for a week, Astrid’s 13-year-old son Phillip returns home one day without saying a word. Both his mother and teachers suspect that his disappearance may be related to the loss of his father. Only gradually does everyday life get back on track.
Initially planned as a traditional biopic of Lev Landau (nicknamed Dau), a Nobel-winning quantum physicist and proponent of free love, Russian director Ilya Khrzhanovskiy started shooting in April 2007, but the production soon transformed into an epic, multidisciplinary project.
Just before the French Revolution, in a forest outside Berlin, a band of libertines expelled from the court of Louis XVI rendezvous with the legendary German seducer and freethinker, the Duc de Walchen (Helmut Berger), to convince him to join in their mission: the rejection of authority and a