Anne-Marie Stretter, wife of a French diplomat, lives in 1930s India. She takes many lovers as systems of oppression decay around her.
Kata, a 43-year-old factory worker, longs to have a child of her own. Following her instinct to cultivate a maternal bond, she befriends Anna, a teenager in the care of the state, and slowly builds a meaningful relationship, which subtly challenges traditional familial structures.
A hot summer in a small island town called Amity gets upset by the arrival of an oversized killer shark. The local police chief, a marine biologist and a wayward fisherman join forces to bring it down.
“The great fish moved silently through the night water...”
A film about Armenia’s shepherds. A measured glance at the contradictory yet also harmonious relation between man and nature, scored to Vivaldi’s Four Seasons.
Nightcleaners is a film about the campaign to unionize the women who cleaned office blocks at night and who were being victimized and underpaid.
Zerkalo is an elusive autobiographical film poem in which Tarkovsky implicitly mixes his own childhood memories of the Russian countryside with a collective (Russian) history.
Commissioned by the Centre d’animation culturelle of Montbéliard, Armand Gatti observed the town of the Peugeot factories where France’s second largest workforce was concentrated and almost 10,000 immigrants of different origins.
Factory worker Küsters, faced with the threat of redundancy, kills his boss and commits suicide. His widow finds herself deserted by her family and friends, until a wealthy communist couple decide to make political capital from her plight.
Milestones maps the different paths taken by the New Left in the early 1970s. This lilting, free-associative masterpiece follows over fifty characters as they try to reconcile their ideals with the reality of American life.
“In the production diary from the editing, there were many discussions about life and the ethics of filming people who are facing death. For example, on January 2, 1975, there was such a conversation between Tamura and Ogawa.
“Upon its release in Europe and the United States in 1975–76, Rainer Werner Fassbinder’s Fox and His Friends (Faustrecht der Freiheit, 1975) disappointed many European and American gay critics. In their reviews, these critics criticized the film from two dominant perspectives.
“When I begin to consider a film project, I always have in mind a number of ideas that feel as if they would be the sort of thing I’d like to film. From among these one will suddenly germinate and begin to sprout; this will be the one I grasp and develop.
“Money, well-timed and properly applied, can accomplish anything.”
Barry Lyndon’s mother
Greece, 1939-1952: Fascist, Nazi, and Communist conflict, as seen through the eyes of a family of travelling provincial players.
Jeanne Dielman, a lonely young widow, lives with her son Sylvain following an immutable order: while the boy is in school, she cares for their apartment, does chores, and receives clients in the afternoon. However, something happens that changes her safe routine.
Commissioned by the Centre d’animation culturelle of Montbéliard, Armand Gatti observed the town of the Peugeot factories where France’s second largest workforce was concentrated and almost 10,000 immigrants of different origins.