Film is fundamentally the choice of a viewpoint in space, toward that space. Film is recording and therefore fundamentally contemporary (one cannot record that which is gone, the past). The spectator always watches contemporary images (even when they have aged, they remain contemporary through their model). This disposition sees to it that those who love films become ‘contemporary’ with every film.

De bioscoop was zijn Amerika, de beelden volgden elkaar op als plechtige zevenmijlsstappen, of als het rennen van de honderd meter. Hij schoof van plek naar plek, van de ene naar de andere figuur. En steeds gebeurde dat in die ene juiste afstand. [...] Later begreep hij dat alles draaide rond een oxymoron: onbeweeglijk bewogen te worden.

The underdeveloped country that does not have a strong or madly national art is to be pitied, because, without its art, it’s all the weaker (its brain can be colonized), and it’s here that the most dangerous extension of economic colonization can be found. In the specific case of cinema, I want to let my colleagues know that they should endure the criticism, the slander and the contempt without wavering, because I am absolutely convinced that Brazilian Cinema Novo is currently producing images and sounds that are what we can call modern cinema.