Resonating Surfaces is a cinematographic portrait of Brazilian psychoanalyst Suely Rolnik. Guided by Rolnik's own voice, the film weaves together three important parts of her life: the city of São Paulo, psychoanalysis and the intellectual climate in Paris during the 1970s.
A portrait of four women who leave the factory where they work, then go to the beach.
Cinema Scope: In Les amants réguliers, a very subjective, very personal take on May 1968, your son Louis plays a 20-year-old guy getting caught up in an unexpected revolution. You were 20 in 1968 as well. How autobiographical is this film?
“I don’t think you really understood the film.”
Yong-sil in Geuk jang jeon [Tale of Cinema] (2005)
“I was driven to turn my wartime experiences into a movie in order to convey the physical and mental upheaval of men at war. That’s how I ultimately came to grips with my experiences. Tactics, strategy, troop movements on maps were for military historians.