EN
“In Two Prosecutors, perhaps out of deference to the source text, Loznitsa plays it straighter than in either of those titles [A Gentle Creature and Donbass] and the result is much stronger for it, as though he has met some self-set challenge to see how efficiently a rigorously formal aesthetic can evoke the pervading, dehumanizing horrors of living under totalitarian control. It gives the experience of watching Two Prosectors an almost tactile literariness, like reading a slim paperback classic by Camus or Kafka or Orwell, where the pages are spotted with age, but the insights remain painfully, vividly fresh.”
Jordan Mintzer
