FILM Passe ton bac d’abord Maurice Pialat, 1978, 86’ Maurice Pialat: This isn’t cinéma-vérité. That doesn’t exist. Everything is always reconstituted. The only truth of the cinema is what’s filmed with sincerity; there’s authenticity there. FILM Loulou Maurice Pialat, 1980, 110’ Nelly, a restless middle-class girl abandons her bourgeois friends and a steady relationship for the unemployed, leather-clad layabout, Loulou. Which part of French cinema’s heritage do you feel you have the most in common with?