FILM
Sarah Vanagt, 2003, 16’
Three statues on the Mont des Arts in Brussels: a king, a queen and a medieval knight. Three newcomers to Brussels: a Philippino boy, a Rwandan refugee girl and a Moroccan boy. Three statues, three children; an imaginary conversation.
FILM
Sarah Vanagt, 2018, 30’
In the 17th century, Antoni Van Leeuwenhoek, a draper from Delft, begins to make glass lenses, in order to better study the quality of his textile. He melts, drips and grinds small beads of glass.
FILM
Sarah Vanagt, 2019, 35’
“What kind of futures can be read in the impersonal fragments of our reality? It’s a question that inevitably gains attention and importance when it’s posed to those who the future, pre-eminently, belongs to.