FILM
Jon Jost, 1977, 75’
“Jost’s outsider is Frank Goya, a guy with a red shirt, a far-fucking-out-in-the-morning-man delivery, and a fist full of Polaroid snapshots. Ever-cool Goya peers into the camera, announces that he’s a motel-haunting divorce-dick and from then on Angel City is kabuki Raymond Chandler.
FILM
Jon Jost, 2013, 85’
“In making this film I sought to address a topic appropriate for someone my age – death, and its social impact. I wished to discard as much conventional narrative tissue, as well as the usual cinematic language normally used, and to go as directly as possible to the emotional core of the matter.