Films byTexts by Rebecca Jane Arthur

Rebecca Jane Arthur (1984) is a Scottish visual artist. Parallel to her artistic practice, Arthur works in Brussels as a producer, writer, copy-editor, and translator. She obtained her MFA from the Media Arts Department at KASK / School of Arts Ghent with the film Ready-mades with Interest (2017), is the co-founder of elephy, a production and distribution platform for film and media art based in Brussels, and a co-founding team member of Monokino, an independent cinema in Ostend.

Article EN
16.01.2019

In an interview with Jeremy Isaacs in 1993, Derek Jarman, wittingly nearing the end of his chromatic life, claimed that when he would be gone he’d like to evaporate and take his works with him: “to disappear completely.” During that interview Jarman describes his then soon to be final feature film Blue (1993) as a dedication to Yves Klein and a self-portrait of sorts. The film would be void of image and would draw its animation from a monologue performed by himself and others (Nigel Terry, John Quentin, and Tilda Swinton) on his life living with illness; and the screen would be illuminated as a rich and vibrating blue colour field – a proposal to which Isaacs cried out, “What on earth do you mean, ‘a blank blue film’?” 

ARTICLE EN
25.04.2018

When your voice appears on top of the images telling the viewer an anecdote that inspired the title of the film: how when in New York you listen to Palestinian hip-hop and when in Palestine you listen to the blues, you reveal your road trip’s soundtrack. By sharing this snippet of information, you set a tone for the film and the journey. It’s personal. With this letter, I’ve decided to lose the third person, avoid the banal (re)writing of a press release and allow this bid to speak nearby your work to be personal too.