Marcel Broodthaers

Marcel Broodthaers (1924-1976) was a Belgian poet, filmmaker and artist. Broodthaers worked as a poet before turning to visual arts and, with skepticism and irony, created films, drawings and installations. He produced over fifty different films between 1967 and his death in 1976, including La clef de l’horloge (1958), a homage to Kurt Schwitters, Le corbeau et le renard (1967) and La pluie (1969). In 1963, he started producing visual art, after being declared a certified “Living Sculpture” by Italian artist Piero Manzoni a year earlier. His first solo show was in 1964 at Galerie St. Laurent in Brussels, where he unveiled his first piece, Pense-Bête, a work in which he encased the unsold copies of his final volume of poetry of the same name in plaster. From 1968 to 1972, he operated the Musée d’Art Moderne. Département des Aigles [Museum of Modern Art. Department of Eagles], a traveling museum dedicated not to his work as an artist but to the role of the institution itself and the function of art in society. His short, though highly productive “career” in art would ultimately span only twelve years but would be of great influence to the development of art in the 20th century.

Marcel Broodthaers, 1969
Ingeleid door Elias Grootaers
MANIFESTO
21.11.2018
NL FR

Maar je moet al in een technologische wereld geboren zijn om dat soort van medium succesvol te gebruiken. En zie mij hier, gruwelijk verscheurd tussen iets onbeweeglijks dat al geschreven is en de komische beweging die 24 beelden per seconde tot leven wekt.

Marcel Broodthaers, 1969
Introduit par Elias Grootaers
MANIFESTO
21.11.2018
NL FR

Encore faut-il être bien né dans un monde technologique pour utiliser ce genre de moyen avec succès. Et me voici cruellement partagé entre quelque chose d’immobile qui a déjà été écrit et le mouvement comique qui anime 24 images par seconde.