It was by inviting us to compare Le grand bleu [The Big Blue] and Palombella rossa [Red Wood Pigeon] that Serge Daney concluded his 1980s[.] […] [W]hile aphasic, “self-legitimatising” individuals retreat into Bessonian depth, a people “sick with language” forms on the Morettian surface. […] For Daney, “Red Wood Pigeon is a great film and Nanni Moretti the most precious of filmmakers.”